(Months. Months have gone by. So sorry about that.)
- Live and Let Die, Paul McCartney and Wings. These last four songs are so close that really, you could shuffle them into any order. I had each of the top three in the #1 spot at one time or another in the course of making these rankings, and you can make a legit case for McCartney’s entry as well. This was the first Roger Moore movie, one of the better ones (except for the Southern sheriff), and the theme song just crackles. It doesn’t include a callout to the Bond theme, but it’s a terrific song, one of the best of the Wings era, and one of the best in this collection.
From MI6-HQ.com: “Live and Let Die” was the last Paul McCartney single on Apple Records that was credited only to “Wings” (because the B-side, “I Lie Around,” was sung not by Paul but by Wings guitarist Denny Laine). Despite its first LP appearance on the 1973 soundtrack album, “Live And Let Die” was not featured on a Paul McCartney album until the Wings Greatest compilation in 1978. “Live and Let Die” was the first James Bond theme song to be nominated for an Academy Award for Best Original Song (which gave Paul his second Academy Award nomination and Linda her first), but it lost to the theme song from “The Way We Were”.
Fiction: Live and Let Die
Nobody can sneak up on you on a bridge. Dana had learned that from her father, before the old man went off south to the land of milk and honey. So Dana now slept midway across the Brooklyn Bridge off the main track, wrapped in a black sleeping bag so that even in the full moon, he’d appear to be just a pile of refuse. She kept her Weisskopf at her side in case she needed it, her walking stick tucked between the bag and the concrete rim.
Few enough people came across the bridge, mostly slackers who didn’t believe that the street wars had emptied Manhattan of any food. It had enough food for millions of people, they reasoned, and it can’t all be gone in fifteen short years. But Dana had seen the bosses directing their men to clear the roads, the big rumbling trucks heading out. She’d seen the fires at night grow fewer and fewer and finally go out, all save for herself and a hundred or so others who scraped by on what fishing they could do in the water. Everyone had a spot and the skill to fight for it, and Dana’s was close to the Brooklyn Bridge, a short concrete jetty on the Brooklyn side.
But it was daytime, all five of her fishing rods set and baited, when the stranger arrived. He whistled his way across the bridge, making it clear that he didn’t intend to sneak up on anyone. Dana stood anyway, the Weisskopf at her belt, stick in her hand. “Ho,” she said as he approached.
“Greetings.” The man wore a thick orange hoodie with the word “Clemson” on the front and patched black jeans. His voice was rich and deep as the weathered tan on his face above his thick white beard.
“This spot’s taken,” Dana said, her voice rusty from disuse, “and I’m not looking for a partner.”
The fellow whistled again affably and shook his head. “Nor I.”
“There’s no food to be had.”
“Your rosy cheeks tell a different story.”
She let the stick lean forward and dropped her hand to the middle of it. “There’s fish and things from this spot. And this spot is mine.”
“So you said.” He raised his hands, palms out. “I only wish to look through the apartments yonder there.” He pointed past her, to the low buildings of Brooklyn.
“Scavenger.” She relaxed her grip on the stick (though she kept the other hand on her knife) and gestured with it back to Manhattan. “You’ve gone past the prime scavenging ground.”
“Yes, yes.” He didn’t look behind him. “Some of the scavengers there are none too friendly, so I’ve come over this way.”
Scavengers rooted through individual homes, where the food would long since have spoiled, for things they deemed valuable. Most of the time those were guns, with enough ammunition for maybe ten or twenty shots before they became useless. It had been over a year since Dana had heard a gunshot. “There’s a supply store right around that tall elm.” She pointed. “Good fishing rods, if you want to go up the river. Might be some fishing spots twenty, thirty miles up.”
“I’m not much for fishing.” Now he turned and she could see the backpack he wore, green army color.
“There’s no bow and arrow in that one, but I think Rainy said she found bow and arrow to the east.”
His lips curved in a gap-toothed smile. “I know what I’m after, girl.”
She did, too. “Even if you find it,” she said, “what are you going to do? Start another street war?”
“I’ve no score to settle with you. So will you let me pass?”
She tightened her grip on the Weisskopf handle, but he just bowed his head to her and made a wide, non-threatening circle around her spot. Nevertheless, she watched him all the way down the ramp and into the underbrush, and she kept her eyes on that spot for most of the day.
Two days and part of a night later, she woke under a half-moon to three far-off pops, which stopped the coyotes from howling and then, moments later, set them all off again. Dana stayed awake most of the rest of that night, but nothing else interrupted the songs of the street dogs.
The next day, a man emerged from the underbrush headed for the bridge, a young man with a black beard and pale complexion wearing an orange hoodie with the word “Clemson” on it. He nodded to Dana as he skirted her spot and stepped onto the bridge, and Dana nodded back, ignoring the bloodstains on the hoodie. After all, it wasn’t any of her business. She had fish to catch.